Fine Art Restoration

Fine Art Restoration and Cleaning of Oil Paintings

Oil paintings from the 18th Century to modern day can be cleaned, repaired and retouched. Paintings are always treated sympathetically, the age of each piece considered, and restoration and conservation undertaken to preserve the original materials therefore preserving the provenance and history. All materials used are museum quality with an emphasis on conservation and reversibility.

Fine Art Restoration

  • Tears and rips can be patched in a reversible technique, using small areas of canvas that are of the same period as the original. The area is filled to bring the repair to the same depth as the painting before retouching. The paints are then tested and examined to conclude the original pigments and manufacture. Using pigments from the period, the paints are reproduced and then used for any retouching
  • Flaking paint due to cracking can be lifted and re-adhered using conservation adhesive and missing areas can be treated as in repairs
  • Swept gilded frames can be also restored to compliment the painting.
  • Yellowed and darkened varnish can be safely removed to reveal the true beauty of the painting and varnished with a non-yellowing conservation varnish
Before restoration Riverside Gallery Barnes Restoration
Before fine art restoration
After removing old varnish Riverside Gallery Barnes Restoration
After removing old varnish
After retouching and revarnishing Riverside Gallery Barnes Restoration
Retouched and revarnished
Before restoration Cracked varnish Riverside Gallery Barnes Restoration
Discoloured painting
Cracked varnish Riverside Gallery Barnes Restoration
Old cracked varnish
Cracked varnish Riverside Gallery Barnes Restoration
Old cracked varnish

Paper Conservation

Paper conservation includes watercolours, pastels, gouache, maps, prints and paper based ephemera. All work is undertaken using museum quality materials with conservation of the piece at the forefront of all procedures.

  • Dis-coloured and browned watercolours, prints and maps can be de-acidified and cleaned to bring the paper to its natural colour and bringing definition back to the artwork
  • Foxing, which appears as brown spotting, can be treated and removed, usually working from the reverse of the paper to ensure that the pigments of the art are not disturbed or touched
  • Tears in the paper can be repaired using high quality conservation adhesive and Japanese repair tissue, tidied by using the original paper fibres to merge the split
  • Holes can be filled using paper of a similar age and manufacture to the original using the same method for repairs and tears
  • Folded and creased paper can be stretched and flattened safely, making it easier to mount and frame
Paper conservation on an early 19th Century watercolour

Picture Frame Restoration

Original frames are often very important to the provenance and value of the painting it surrounds. Dealers and collectors are keen to have artwork in its original condition as it can indicate the age and authenticity of the picture.

Unfortunately, most late 18th and 19th century swept frames are made from pine or oak with gesso embellishments that are then gilded all over. Gesso is prone to chipping, breaking and disintegrates in water. The gilding is often diminished by dampness or over-rubbing and often gilded frames are repainted with a gold coloured varnish.

Embracing modern conservation techniques, it is possible to replace missing decorations and mouldings. Using a complete corner, a moulding can be taken and missing corners replicated. Small areas of decoration can also be replicated using this method or by hand using a non-shrink water based material. This hardens to the same consistency of the original and often can only be seen by the trained eye.

Although re-gilding is offered, it can often appear too bright and may look too new for the painting it is surrounding. It is our ethos to conserve frames and therefore try to keep as much of the original that remains. Retouching is carried out with a sympathetic eye, tidying up and giving the frame its depth in the gold finish, but retaining its age.

All quotes are free and often equate to the price of reframing the piece in a modern frame. The quality and structure of the frame is evaluated and can be consolidated to give the frame strength to last another 100 plus years.

Please contact us for further details.

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